They are very talented lawyers, who work together for a long time. But then the truth appeared. Here appears the woman, who helped Mike to come to a prison and his firm do their best to help him. An assistant Donna, Rachel, Harvey and Jessica wanted to save the company, because there was the one man, who wanted to annihilate everything. Episode P. Unfortunately, this season is over, and now expect the release of the new season 7 it plans to release in Michael Ross was lost and confused in his life for a long time, he has an incredible skills and photographic memory, Michael manages to make a living from selling drugs.
S6, Ep7. Harvey, Louis and Donna search for a missing link to Sutter's inside trading. Mike takes a drastic step to get Kevin on his side. Rachel and Jessica give Leonard Bailey some bad news. S6, Ep8. Harvey counters Cahill's star witness; Mike tries to deliver a witness himself; Jessica and Rachel try to delay Leonard's execution; Louis adjusts to life as the other man. S6, Ep9. New developments threaten the deals to get both Mike and Frank Gallo out of prison, forcing Mike and Harvey to improvise.
Rachel disagrees with Jessica's strategy in the Leonard Bailey case. Louis gets another round of bad news from Tara. S6, Ep Even with Mike now out of prison, the partners face a crisis that could be a death blow to the firm. Rachel and Jessica call a trick play in the Leonard Bailey trial. Louis contemplates his next move with Tara after another bombshell. Jessica has left Pearson Specter Litt and now Harvey and Louis have to figure out how things will proceed with the firm's future lying exclusively in their hands only.
Meanwhile, Mike gets a helping hand from an unexpected place. Rachel receives a letter that creates an unexpected issue for Harvey and Louis. Mike's mentorship of Oliver and Marissa gets put to the test. And Donna gets a surprise from the IT department. Harvey and Mike team up to take on Velocity for Mike's admission in the bar. It was a big year, to say the least, and Season 6 was notably light on audience contempt and tragedy, which had been the show's bread and butter up until this point.
It was also the year that fans -- especially longtime fans who'd read the books -- found themselves getting ahead of the tale a bit, as their long-held theories about Jon Snow's parents, Jon Snow's short-lived death, Coldhands, and more were revealed to be pretty much exactly what had been guessed by many.
Speaking of female empowerment, Daenerys had herself a banner year, turning the tables on her initial seasonal plight rather quickly and re claiming herself a Dothraki army. Tyrion's time in Meereen, with Missandei and Grey Worm, may have dragged, but when Dany finally returned to the pyramid, the fiery clash at the end was spectacular.
And speaking of storylines that lagged for a while and then ended with a flame-filled massacre, Cersei's decision to wipe out just about every namable character in King's Landing was an immensely satisfying purge, and a great ending to an arc that had meandered for far too long. And the Hitchcockian sequence that opened the season finale, leading up to the massive wildfire blast, was expertly executed. The saddest death this year goes to Hodor, but with his sacrifice came the first-time inclusion of time-travel elements on the show and it was magnificent.
Hodor's condition was a loop caused by Bran, during his Three-Eyed Raven tutelage, that directly affected the past and the moment marked one of the show's most tragic, and meaningful, exits while also opening up the supernatural rules of the series as well.
And since I'm touching on standout sequences, the battle for Winterfell was a phenomenal spectacle filled with a ton of stakes, emotion, and soulful satisfaction. It should be said that I watched Ramsay get mauled by dogs multiple times, and the same goes for Arya's epic takedown of Walder Frey. By the time The Hound returned to us, he was almost overshadowed by the likes of Jon's resurrection, Hodor's death, Coldhands, and the first Tower of Joy flashback.
And then his return arc, featuring Ian McShane as a reformed killer leading a communal support group for pacifists, felt a little cliched and too traversed a territory for a show like Game of Thrones to tackle. Meanwhile, The Hound's former companion, Arya, flailed a bit during her second year in Braavos. Arya works best when she has someone to banter with and Jaqen, simply put, is not that guy. By the end, I was just glad to see her ditch that whole scene.
Even better though was the fact that it seemed like she left the Faceless Men with his blessings and faces , so her time there doesn't feel totally wasted, even if it didn't need so much screen time. Two arcs this year felt like they took too long to play out, added to because it was the second year we were following both of them - King's Landing specifically the rise of the High Sparrow , and Arya's aforementioned time in Braavos.
Still, on the upside, they both had satisfying endings, especially Cersei's big play to wipe the entire slate clean, since that's pretty much what that storyline needed. And the end result of both tales seems to be a collision course now - Cersei on the Iron Throne and Arya with one hell of a target in her sites, as she resumes checking names off her list. I'm not going to be too harsh on the Riverrun arc, except to say that I wasn't a fan of Blackfish dying off-screen which just makes me suspect he's not really dead, though who knows after Stannis.
I hope the dividends for this will pay off next season. As for right now, it really only served to take Jaime out of King's Landing so that Cersei was free to become the Mad Queen on her own. Though it should be said that the possibility of having a bitter, angrier Edmure in charge now at Riverrun -- and no more Walder Frey or his sons -- could make for an interesting future scenario.
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